Rembrandt en zijn tijd, Paleis voor Schone Kunsten, City of Brussels, 23 September 1971–21 November 1971, OCLC 63826891, cat. Vijfentwintig jaar aanwinsten Mausritshuis, 19 October 1970–28 October 1970, Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague. The age of Rembrandt, 19 October 1968–22 December 1968, National Museum of Western Art, Tokyo, 11 January 1969–2 February 1969, Kyoto Municipal Museum, Kyoto, Cat.no. Terre des Hommes/Man and his world, 1967, Montreal, Cat.no. Tentoonstelling van werken van Rembrandt en zijn school ter gelegenheid van het 350e jaar, sedert zijn geboortedag, 1956-1957, Hermitage, Saint Petersburg, v, Moscow, p. Sextiosex bilder från utställningen i Nationaluseum, Nationalmuseum, Stockholm, 12 January 1956–15 April 1956, cat. 78.ĭutch painting, the Golden Age an exhibition of Dutch pictures of the seventeenth century, The Metropolitan Museum of Art, New York City, Toledo Museum of Art, Toledo, The Art Gallery of Ontario, Toronto, 1954–1955, OCLC 644452, p. Herwonnen Kunstbezit, 1 October 1946–30 October 1946, Centraal Museum, Utrecht, Cat.no. Herwonnen Kunstbezit, 16 March 1946–May 1946, Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague, cat. Rembrandt tentoonstelling ter plechtige herdenking van het 300-jarig bestaan der Universiteit van Amsterdam, Rijksmuseum, Amsterdam, 11 June 1932–4 September 1932, cat. 650-jarig bestaan van Amsterdam 1275-1925, Rijksmuseum, Amsterdam, 3 July 1925–15 September 1925, cat. 4.Īusstellung von Werken alter Kunst aus dem Privatbesitz von Mitgliedern des Kaiser Friedrich-Museums-Vereins, Königliche Akademie der Künste, Berlin, May 1914, cat. Winter exhibition, thirteenth year, Royal Academy of Arts, London, 2 January 1899–11 March 1899, cat. Rathenau and Ellen Ettlinger-Rathenau, Oxford/New YorkĮxhibition of Works by Rembrandt. 1416/1ġ947: purchased by the Royal Picture Gallery Mauritshuis, The Hague, from Ernst G. This painting was originally painted by Michelangelo Marisi da Caravaggio, and is often dated anywhere from 1601 to 1610.īabyface is the Artist's most recent work, and can be seen prominently displayed in the the Office.Unknown date: transferred to the Central Collecting Point, Munich, inv. After looking at it, the fruit in the painting will begin to turn into apples and fall to the ground. At this point, it is also in the kitchen. This painting first appears in the kitchen during the prologue. The painting is a self portrait of Sir Joshua Reynolds, an English painter of great renown. In front of the painting is a pile of dolls. This picture is first seen in the prologue when the Artist ventures down to the basement. The credits label her as "The Rat Queen". In the game's sequel, she is an actual being that shows herself in the beginning of the game, and will reappear in the Formless/Madness ending. This could potentially connect the painting to the Wife, and by extension connect the Wife to the rats. The subject of the painting was Cecilia Gallerani, who was well known for her musical talent. It seems to be a distorted re-imagining of "Lady with an Ermine", which was painted by Leonardo DaVinci around 1489 or 1490. It was also shown during one of the game's trailers. When looked at, the paintings will convulse, off of their canvases, and dissolve into rats which will proceed to run away. Three copies appear inside a room where the "Canvas Crawlers" rat scrawling can be found in Iteration 3. The Rat Lady is presumably a painting by the Artist. It was the first of a series of paintings depicting adultery and its harmful effects. This was a painting by artist Augustus Leopold Egg in 1858, and actually represents a man learning of his wife's adultery. Its presence in the game seems to represent the Artist's lack of concern for his wife despite her pleas. This painting first appears in the entrance hallway at the beginning of the game, and reappears numerous times throughout the game. It is considered difficult to interpret, but is often interpreted as being about infant mortality. It was originally entitled "The Rape of Ganymede". The painting was made in 1635 by artist Rembrandt Harmenszoon van Rijn. Its presence in the game possibly represents the Daughter being taken away from the Artist, either because of the Wife's influence or by the state. This painting first appears in the entrance hallway at the very beginning of the game, and reappears multiple times throughout the game. 5 Still Life with Fruit on a Stone Ledge.
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